In 1934, the 14-fret 00-18 rolled out of Nazareth, Pennsylvania. In those days, this charming small-body was overshadowed by louder 000s and Dreadnoughts. But in the decades since, many players have discovered the advantages of this comfortable, responsive, and well-balanced small-body Martin.
This 00-18 is one of 701 made in 1953. This 00-18 was produced during the "mystery top" era—a short period of time when some historians argue Martin used a stash of Red Spruce from Vermont instead of Sitka Spruce from the Northwest. On this 00-18, the top shows wider grain and darker, redder coloring than you typically find on Sitka. It also has the powerful, cutting sound we might associate with Red Spruce. To be fair, it’s impossible to prove what species of Spruce this is without testing a sample in a lab. And considering how good this Martin sounds, it probably doesn't matter too much!
This 1953 00-18 has been played over the years, but it finds us in nice structural condition with a playable, approachable setup. The saddle has been replaced, but the original saddle is included (for posterity sake). It now sports modern Waverly tuners, but the original machines are included. Over the years, the neck has been reset, and at least a partial refret is highly likely. The bridge plate is either original with minimal wear or a convincing replacement, and a strap button has been installed on the neck heel.
Thanks to the neck reset, new saddle, and frets, this 00-18 plays smooth up and down the neck. The '53 neck profile feels just right, and notes ring out with rich, woody Mahogany character. For a small-body it has impressive balance and low-end. Plus, it barks! The size makes this Martin ideal for the the living room, but its well-rounded voice sings in any space.
This 1953 Martin 00-18 includes a non-original vintage case that isn't a perfect fit for the body, but it completes the package. It has labels for a "1945 Gibson," so it's possible the case was mistakenly switched by a previous dealer. We love the wear on the top just past the pickguard—it adds to the character and vibe! The finish is chipping on the peghead, so be careful with a Snark. This is one of our favorite Martin small-body guitars in the shop!