There is a particular tone to a 16" archtop that you won't get from other guitars. It has a round, direct sound that isn't exactly a jazz guitar (even though the f-holes might fool you). A good 16" is a natural fit for old-time, blues, or folk music where an expressive guitar with a wide dynamic range is needed. In the '30s, Maybelle Carter revolutionized American guitar playing with a 16" Gibson archtop, and although models like the L-5 evolved, Gibson carried on the tradition of the 16" archtop with lower-end models like the L-50.
Inside the treble f-hole of this L-50, you'll find Factory Order Number Z2878 29, which means it was made in Kalamazoo, Michigan in 1952. Typical of the era, it has a beautiful darker sunburst that has nicely patina-ed with time. While this one has obviously been played over the years—we love the pickguard "tan line"—it finds us in great shape. It plays nicely with low action, and it has powerful, nuanced sound that remains smooth through the full range of sound. It cuts when you want it to, but there's a woody sweetness when you approach it softly.
Over the years, this L-50 has lost its original pickguard, but it still has its original Brazilian Rosewood bridge, original tailpiece, original nut, and original tuners. We believe the frets may also be original, but since there's a good bit of fret wire remaining, a refret is possible (especially considering some of the wear). At some point, the back edge along the neck heel/neck block was re-glued, but that's the only obvious repair. A previous owner installed a strap button on the heel. All around, there's no shortage of authentic play wear, and that only adds to the character and vibe of an old archtop.
This Gibson L-50 is a 72-year old archtop with a ton of potential. We love the darker sunburst, and the Trapezoid inlays look just right. It includes a basic modern gig bag.