In response to the folk boom of the late '50s and the rise of rock n' roll in the early '60s, every department store and mail-order catalog wanted to make sure they had plenty of guitars in stock. Mass-produced axes from brands like Harmony, Silvertone, and Kay may have looked the part and temporarily satisfied the desires of aspiring songsters and rockers. Although they may have even captured the right look to inspire an aspiring player, these instruments were entry-level at best. Even though some were made out of the right materials, they were never actually built to be functional instruments that would ever tune and play properly.
Fortunately, Scott Baxendale and his team of luthiers in Athens, Ga., recognize the potential of these guitars and regularly remanufacture them. In doing so, they totally, re-build, re-brace, and re-voice these instruments, giving them new life and world class tone to pair with the authentic mojo of a vintage, American-made guitar. These inspiring instruments are an exceptional value, and they're an incredible way to recycle and repurpose old axes.
This Baxendale ‘60s Harmony H162 has been totally re-braced to a scalloped, hand-voiced X-brace pattern. It also sports new frets, a new solid rosewood bridge with a bone saddle, a new 1-3/4"-wide bone nut, and genuine Grover tuning machines. Its lightweight feel and round vintage neck profile make a guitar that is comfortable and inviting, and thanks to the refret, new bridge, and meticulous setup work, it plays like a brand new guitar. With a solid Spruce top and solid Mahogany back and sides, its ~000-size body produces a rich, warm sound, and Baxendale's voicing on this one lends impressive bass response for a mid-size guitar.
This Baxendale '60s Harmony H162 Conversion has mojo for days and the sound and playability to back it up. This Baxendale guitar includes a Recording King branded gig bag.