1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18
1959 Martin D-18

1959 Martin D-18

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Sale price
$6,499.00

No guitar demonstrates the sweet, classic "Martin Sound" quite like a good D-18. Since 1934, the 14-fret D-18 has been Martin's flagship mahogany dreadnought. Its voice is powerful and well-balanced with mid-range that cuts and the dreadnought low-end thump we all love so much.

By the 1950s, the Martin D-18 carried forward the legacy of its prewar predecessors, but with a distinct voice of its own. In the 1950s, interest in the guitar exploded, and Martin refined its construction techniques with rear-shifted bracing and a comfortable neck profile designed to be faster and more playable. More rugged than earlier examples—and often packing more headroom for a heavy right hand—a good '50s D-18 retains the rich, balanced character that makes mahogany dreadnoughts so beloved. 

This D-18 (serial #166178) rolled out of Nazareth, Pennsylvania in 1959. It has a robust voice that is nicely balanced across the register. Relative to other D-18s from this era, it seems to have a faster, even response. At the moment, the action is impressively low for a vintage dreadnought, so the feel is exceptional. But to be fair, the neck angle isn't exactly ideal and the saddle is sitting low. Looks like the bridge has been sanded down a hair as well, and there is also a slight bridge lift across the back edge of the belly. If the action pulls higher in the future, it will probably benefit from a neck reset and new bridge or bridge reglue. But at present, it plays nicely and sounds fantastic, so it is priced to reflect the potential cost of future repairs. This is a great D-18 with a lot to offer, and although it is very clean cosmetically, it is offered at a player's price. 

Nearly seven decades on, this 1959 D-18 still speaks with the dry, woody immediacy that has made Martin dreadnoughts a benchmark for flatpickers, singer-songwriters, and musicians of all genres. There’s an openness and directness to the sound that only comes with age—the fundamental note remains strong and clear, while the overtone content stays restrained and musical. In your hands, there's nothing like a good played vintage Martin. From the first chord, this D-18 delivers that unmistakable old-growth mahogany character with warmth, punch, and authentic vintage vibe. It includes a modern Martin-branded TKL case. 

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