When the F-5 rolled out in 1922, Lloyd Loar's new design revolutionized the mandolin, greatly expanding the instrument's role in American music. But that doesn't mean Gibson mandolins made before 1922 aren't worth checking out! Orville Gibson founded the Gibson Mandolin-Guitar Mfg. Co., Ltd with a carved mandolin design, so from its outset, the Gibson brand was always ahead of the curve with mandolins.
In 1910, Gibson updated its novel F body style—with the distinctive carved scroll—to the familiar 2-point design that has since become ubiquitous in the mandolin world. The F-2 was introduced in 1902, and it served as a mid-level F-model mandolin. This 1913 F-2 proudly displays the 2-point body shape, constructed of a Spruce top and Birch back and sides. Gibson had recently introduced the red mahogany sunburst finish, and this would evolve into the familiar Cremona sunburst of the '20s. Typical of Gibson's pre-Loar mandolins, this 1913 F-2 features an oval soundhole with a single Transverse brace that runs the width of the top in between the soundhole and the bridge. It produces a warmer, rounder sound than the more-cutting Gibson mandolins that would come later.
Considering the years, this 1913 Gibson F-2 finds us in impressive condition. Sure, there is wear and signs of use. The worst is a top crack that runs parallel to the fingerboard extensions from the scroll toward the soundhole (see photos). It looks like the fingerboard binding was replaced at some point along the way, so it's highly likely the frets were replaced as well. The mandolin plays really nicely, so that's probably the case. Nevertheless, this F-2 still sports its original tailpiece, original bridge, original pickguard, and original tuning machines with engraved buttons. These old parts remain 100% functional. It's amazing that a 110+-year-old instrument can still be usable for a modern musician.
This 1913 Gibson F-2 captures the vibe and character of a different era of American music. Its tone is sweet and woody—a great strummer that still packs plenty of articulation for single-note melodies. While it might not be the first choice for a bluegrass band, that's not the appeal. With authentic turn-of-the-century charm, this F-2 lends itself to folk, old-time, gypsy jazz, and other styles that call for a sweeter, mellower mandolin sound. It could also serve as the source of inspiration for future songwriting sessions. It includes an old F case that looks to be a bit later, perhaps 1920s? Too cool.